Reviewed by Robert Randma
http://www.flickr.com/photos/karello/sets/72157626902650214/with/5806176718/
From distance
It’s a world of perspectives, a world of angles. Before you approach a person or an object, there’s always a point of choice as there is one when giving values to things you see. Colours, shapes, contrasts, the environment it’s in, the space that surrounds it, the solidity of a single object in a vastly saturated world.

Approaching
It’s a world of textures, a world of colours and secrets. Once you approach a person or an object, you develop a dialogue during which you choose what to see and what not. Choice of attention, choice of how you perceive the world. Is it details you see? Tiny splinters and lines in small blossoms that all generate patterns on their own?

Eye to eye
It’s a world of stories, a world of identities. Once you get very close to a person or an object, you’re no longer observing it. There’s no division of roles anymore – you will start to feel its vibrations, its life. Touch. Touch of minds, of beats, of frequencies, a meltdown into one.

Leaving
It’s a world of memories, a world of stories untold – a curtain behind a curtain. There’s always something you don’t see or cannot feel, an emotion unexpressed or a frequency you weren’t adjusted to. You will then choose to either seed this moment in yourself or bypass it.

Archiving
It’s a world of change, a world of sharing and of listening. It’s a choice of how your moment will settle. Will it settle? Would you have liked something to be different? What is it you learned? Do you want to change the object or yourself? What kind of a person are you – one that wants to change the world or perhaps yourself?
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